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  • Article

  • A Southwest Asian Voice in the Daodeiing?

    • Authors: Dennis Grafflin (1998-03)

  • The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication.
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  • Book

  • Authorship in film adaptation

    • Authors: Jack Boozer (2008)

  • Acknowledgments - Introduction: The Screenplay and Authorship in Adaptation - PART I HOLLYWOOD’S “ACTIVIST” PRODUCERS AND MAJOR AUTEURS DRIVE THE SCRIPT - 1 Mildred Pierce: A Troublesome Property to Script - 2 Hitchcock and His Writers: Authorship and Authority in Adaptation - 3 From Traumnovelle (1927) to Script to Screen—Eyes Wide Shut (1999) - PART II SCREENPLAY ADAPTED AND DIRECTED BY - 4 Private Knowledge, Public Space: Investigation and Navigation in Devil in a Blue Dress - 5 “Strange and New . . .”: Subjectivity and the Ineff able in Th e Sweet Hereafter - PART III WRITER AND DIRECTOR COLLABORATIONS: ADDRESSING GENRE, HISTORY, AND REMAKES - 6 Adaptation as Adaptation: ...
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  • Book

  • Authorship in film adaptation

    • Authors: Jack Boozer (2008)

  • Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source...
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  • Book

  • Cohesion in English

    • Authors: M. A. K. Halliday; Ruqaiya Hasan (1976)

  • This book originated as one of a series of studies of the English language and modem English texts which were undertaken by the Nufield Programme in Linguistics and English Teaching at University College London. The aim of these studies was to provide an account of aspects of contemporary English which would be both founded on theory and also applicable in practice: a description of the system, but one which, since it was based on evidence from texts of different varieties, including both spoken and written, would be useful in application to further text studies...