ArticleAuthors: Rex Butler (2000)
French theorist Jean Baudrillard's project rolls inexorably on with these, his twenty-second and twenty-fourth books. By this stage, of course, his discourse has thoroughly entered its third and final period.
It is a writing that is self-consciously after the "end" of things, not only the social, historical and critical, but also the personal-an "end" announced as long ago as 1987 in the diary confessions Cool Memories. 
