ArticleTác giả : Wendy Su (2011)
This article provides a historical and critical review of the extensive debate in China over the government’s policy of importing Hollywood blockbusters from 1994 to 2007. The debate suggests a fundamental divide in China along the different ideological lines. I argue that China’s debate over Hollywood cinema actually serves as a site for the Chinese people to make sense of their own modernization process and national identity. The debate, in a large sense, has little to do with the connotation of Hollywood cinemas in the US context, but has much to do with their implications for China. The whole debate is in fact China’s quest for a new, modern national identity, and how the Chinese ... 
