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dc.contributor.authorStéphane Natanvi
dc.date.accessioned2023-12-22T04:06:20Z-
dc.date.available2023-12-22T04:06:20Z-
dc.date.issued2013-
dc.identifier.citationJournal of Language, Literature and Culture. - 2013. - Volume 60. - No. 2. - p.78-92vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/138808-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractThis article revisits Racine’s use in Andromaque of onomastic periphrases and proper names by showing, with the support of numerical data, that far from being used in an ornamental way, proper names and onomastic periphrases carry key meanings. Proper names brought to life the rhetoric of hammering force, and periphrases acted as tools used to correct, reinforce, or define the identity of Racine’s protagonists.vi
dc.language.isoenvi
dc.language.isofrvi
dc.publisherTaylor & Francisvi
dc.subjectRacinevi
dc.titleAndromaque ou ‘La Veuve d’Hector’: Etude des noms propres et des périphrases onomastiques dans la pièce de Racinevi
dc.typeArticlevi
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