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dc.contributor.authorMichael Falkvi
dc.date.accessioned2024-02-16T03:01:14Z-
dc.date.available2024-02-16T03:01:14Z-
dc.date.issued2016-
dc.identifier.citationJournal of Language, Literature and Culture. - 2016. - Vol 63. - No.2-3. - p.107-122vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139104-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractIn the late eighteenth century, European novelists discovered youth. Writers like Goethe, Austen and Scott developed a new genre, the Bildungsroman, in which young, enthusiastic protagonists explore the world, develop themselves and find a place to remain. This, at least, has been a popular argument in modern criticism. Recently, however, Nancy Armstrong and Leonard Tennenhouse have brought it into question. Studying a number of British and American novels, they show that an alternative genre, the ‘network novel’, arose in the period, which ‘disrupted’ the image of an organic, domestic world that lay at the heart of the ‘domestic novel’ (their term for the classical Bildungsroman).vi
dc.format.extent16 p.vi
dc.language.isoenvi
dc.publisherTaylor & Francisvi
dc.subjectCharacter network analysisvi
dc.subjectBildungsromanvi
dc.titleMaking connections: Network analysis, the Bildungsroman and the world of The Absenteevi
dc.typeArticlevi
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