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DC Field | Value | Language |
---|---|---|
dc.contributor.author | James Dahlstrom | vi |
dc.date.accessioned | 2024-02-23T03:39:49Z | - |
dc.date.available | 2024-02-23T03:39:49Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Journal of Language, Literature and Culture. - 2017. - Vol 64. - No.1. - p.18-32 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139157 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | George Johnston’s novel, My Brother Jack, is set in an Australian suburb in Melbourne, the action beginning at the conclusion of the First World War. It is a time period in which American popular culture was rapidly spreading in Australia, threatening the local movie, theatre, music, and publishing industries, and America began displacing Great Britain as the provider of culture forms to Australia. This paper examines the narrator’s struggle with his identity as a metaphor for Australia’s struggle to maintain a unique cultural identity in the face of America’s burgeoning influence. | vi |
dc.format.extent | 15 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | American influence | vi |
dc.title | David Meredith’s ‘Affair with America’: Re-reading Helen Midgeley in George Johnston’s My Brother Jack | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
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