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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Soumya Mohan Ghosh | vi |
dc.contributor.author | Rajni Singh | vi |
dc.date.accessioned | 2024-02-26T03:05:59Z | - |
dc.date.available | 2024-02-26T03:05:59Z | - |
dc.date.issued | 2017 | - |
dc.identifier.citation | Journal of Language, Literature and Culture. - 2017. - Vol 64. - No.3. - p.195-212 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139192 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | Women, from time immemorial, are always considered subservient to men, and they have remained at the disposal of the head of the family, the father. They are denied their basic human rights and the ‘biological control over their bodies’ as woman is the sexual property of her family and at the same time her body is negotiated for sustaining family honour. The female body is subjected to regulation and control in order to achieve the intended docility, a process through which power is dissociated from the body. The guardianship of women’s bodies make men proud possessor of property rights as well as self-acclaimed protector from their enemies. | vi |
dc.format.extent | 18 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | Body | vi |
dc.subject | power | vi |
dc.title | Representing and resisting rape: re-appropriation of the female body in Usha Ganguly’s Hum Mukhtara | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
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