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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Katya Jordan | vi |
dc.date.accessioned | 2024-02-28T03:24:19Z | - |
dc.date.available | 2024-02-28T03:24:19Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | Journal of Language, Literature and Culture. - 2019. - Vol 66. - No.2. - p.103-118 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139240 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | In his final novel, Virgin Soil (1877), Turgenev takes up the theme of the particular kind of populism (Narodnichestvo) that swept across the European part of Russia in the 1860s and 70s. Critics on both ends of the political spectrum believed that Virgin Soil failed to truthfully depict the populist movement; however, the novel provides an important cultural commentary that heretofore has been overlooked. Turgenev explores the theme of fractured father-son relationships and masterfully exposes the nature of political dissent in Russia. He conceptualises Russian radical intelligentsia as a natural son of an enlightened patriarch, thus questioning the long-standing tradition of viewing the Russian tsar as a father to his people. | vi |
dc.format.extent | 16 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | Turgenev | vi |
dc.subject | the family metaphor | vi |
dc.title | Cutting the umbilical cord: patriarchy and the family metaphor in Turgenev's virgin soil | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
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