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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Meng Xia | vi |
| dc.date.accessioned | 2024-02-28T09:09:49Z | - |
| dc.date.available | 2024-02-28T09:09:49Z | - |
| dc.date.issued | 2020 | - |
| dc.identifier.citation | Journal of Language, Literature and Culture. - 2020. - Vol 67. - Nos.2-3. - p.172-189 | vi |
| dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139263 | - |
| dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
| dc.description.abstract | The memory of marginal subjects is a recurring theme in Chinese migrant novelist Geling Yan’s stories against the backdrop of Modern Chinese history, and it constitutes a narrative of ‘marginal memory’ in her novella White Snake (1998). In this study, I first investigate the multi-perspective narrative structure in Yan’s novella, concerning how private, marginal memory contradicts mainstream narratives of gender and sexuality. Secondly, I expound the memory of the body that mediates this marginal memory, regarding the fantasised body, the disciplined body, resistance, and emancipation of the body. | vi |
| dc.format.extent | 18 p. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Taylor & Francis | vi |
| dc.subject | Marginal memory | vi |
| dc.subject | Body | vi |
| dc.title | Gender myth and disciplined sexuality in Geling Yan’s White Snake | vi |
| dc.type | Article | vi |
| Appears in Collections | Bài trích | |
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