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dc.contributor.authorElham Mohammadi Achachelooeivi
dc.contributor.authorCarol Elizabeth Leonvi
dc.date.accessioned2024-03-08T09:38:08Z-
dc.date.available2024-03-08T09:38:08Z-
dc.date.issued2021-
dc.identifier.citationJournal of Language, Literature and Culture. - 2021. - Vol 68. - No.2. - p.120-137vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139370-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractThis article employs feminist theologian Daphne Hampson’s notion of ‘discontinuity in religion’ to explore the concept of the past in Octavia Butler’s Parable of the Sower (2007) and Parable of the Talents (2007). Focusing on the activities of a black heroine who appears as a reformer who revives her dead society, this article argues that the novels reflect a posthuman, post-Biblical aspect of renovation by discarding the past which is envisioned as a paralysing obsession in these texts. The renovation in the novels is done through a kind of discontinuity in particular Christian principles, substituting them with a new doctrine of thought. The introduction of this new belief called Earthseed, confronts those principles that render Christianity a religion with roots in the past, and offers a way of being and thinking which goes against the religious, sexual, racial and classist dimensions of life founded on exclusively Christian doctrine.vi
dc.format.extent18 p.vi
dc.language.isoenvi
dc.publisherTaylor & Francisvi
dc.subjectOctavia Butlervi
dc.subjectParable of the Sowervi
dc.titleThe past and ‘Discontinuity in religion’ in Octavia Butler’s parables: a feminist theological perspectivevi
dc.typeArticlevi
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