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dc.contributor.authorSohini Beravi
dc.contributor.authorRajni Singhvi
dc.date.accessioned2024-03-15T03:59:30Z-
dc.date.available2024-03-15T03:59:30Z-
dc.date.issued2021-
dc.identifier.citationJournal of Language, Literature and Culture. - 2021. - Vol 68. - No.3. - p.178-204vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139449-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractSubhash Vyam’s Water revolves around the life-sustaining natural resource, water, and its kinship with the Gond communities that live simple yet sustainable lives in close proximity to nature. Water adumbrates the social and environmental aftermaths of dam building and documents modern development’s impacts on the lives of Gond villagers, on the ecosystem they inhabit, and on their intimate relationship with nature and its vital resources such as water. This article attempts to demonstrate how Water employs traditional Gond artistic forms to portray two contrasting worldviews regarding the consumption of natural resources – the first being a developmentalist world view and the second an alternate indigenous perspective based on ideals of water democracy.vi
dc.format.extent27 p.vi
dc.language.isoenvi
dc.publisherTaylor & Francisvi
dc.subjectSubhash Vyamvi
dc.subjectWatervi
dc.titleWater and its kinship with communities in Subhash Vyam’s Watervi
dc.typeArticlevi
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