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dc.contributor.authorChristiane Schwabvi
dc.date.accessioned2024-03-15T04:05:03Z-
dc.date.available2024-03-15T04:05:03Z-
dc.date.issued2022-
dc.identifier.citationJournal of Language, Literature and Culture. - 2022. - Vol 69. - No.1. - p.1-18vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139450-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractAround the mid-nineteenth century, the investigative reportage consolidated as a journalistic genre that introduced early social debates into the commercial periodical. This article analyzes how John Hollingshead's series ‘London Horrors’ (1861) and comparable journalistic reports such as ‘Labour and the Poor’ (1849–1850) produced testimonials on the housing and working conditions of the underprivileged urbanites. It shows how social reporters like Hollingshead made an unknown social sphere understandable to a growing middle-class audience of newspapers by using the narrative strategies of reformist surveys and political tracts on the one hand, and the semi-fictional, audience-oriented sketch on the other.vi
dc.format.extent18 p.vi
dc.language.isoenvi
dc.publisherTaylor & Francisvi
dc.subjectInvestigative journalismvi
dc.subjectperiodical literaturevi
dc.titleBetween literary entertainment, public engagement, and social research: nineteenth-century investigative reporting and the case of ‘London Horrors’ (1861) by John Hollingsheadvi
dc.typeArticlevi
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