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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Christiane Schwab | vi |
dc.date.accessioned | 2024-03-15T04:05:03Z | - |
dc.date.available | 2024-03-15T04:05:03Z | - |
dc.date.issued | 2022 | - |
dc.identifier.citation | Journal of Language, Literature and Culture. - 2022. - Vol 69. - No.1. - p.1-18 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139450 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | Around the mid-nineteenth century, the investigative reportage consolidated as a journalistic genre that introduced early social debates into the commercial periodical. This article analyzes how John Hollingshead's series ‘London Horrors’ (1861) and comparable journalistic reports such as ‘Labour and the Poor’ (1849–1850) produced testimonials on the housing and working conditions of the underprivileged urbanites. It shows how social reporters like Hollingshead made an unknown social sphere understandable to a growing middle-class audience of newspapers by using the narrative strategies of reformist surveys and political tracts on the one hand, and the semi-fictional, audience-oriented sketch on the other. | vi |
dc.format.extent | 18 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | Investigative journalism | vi |
dc.subject | periodical literature | vi |
dc.title | Between literary entertainment, public engagement, and social research: nineteenth-century investigative reporting and the case of ‘London Horrors’ (1861) by John Hollingshead | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
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