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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Jyothi Justin | vi |
| dc.contributor.author | Nirmala Menon | vi |
| dc.date.accessioned | 2024-03-19T06:55:04Z | - |
| dc.date.available | 2024-03-19T06:55:04Z | - |
| dc.date.issued | 2023 | - |
| dc.identifier.citation | Journal of Language, Literature and Culture. - 2023. - Vol 63. - No 1. - p.11-24 | vi |
| dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139516 | - |
| dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
| dc.description.abstract | The study involves close readings of Joan Lindsay’s Picnic at Hanging RockFootnote1 and its visual adaptations from a postcolonial feminist and geocritical theoretical framework to analyse how the space operate as a hegemonic tool in reproducing dominance based on gender, race, caste, class, and ethnicity. The comparative study will help to understand the ways in which adaptations of a source narrative to different media modify the landscape and space thereby shifting the gender equations as well. Lindsay’s novel has adaptations (all eponymous) produced during different time periods. | vi |
| dc.format.extent | 14 p. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Taylor & Francis | vi |
| dc.subject | Australian aboriginal displacement | vi |
| dc.title | Decolonising Ngannelong: A geocritical approach to Joan Lindsay’s picnic at hanging rock and its visual adaptations | vi |
| dc.type | Article | vi |
| Appears in Collections | Bài trích | |
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