Item Infomation
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Clare Archer-Lean | vi |
dc.date.accessioned | 2024-03-20T02:48:14Z | - |
dc.date.available | 2024-03-20T02:48:14Z | - |
dc.date.issued | 2023 | - |
dc.identifier.citation | Journal of Language, Literature and Culture. - 2023. - Vol 63. - No 2. - p.99-114 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139525 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | This paper presents new scholarship on the complex figuration of the animal in Australian fiction through the significantly under-analysed Mateship with Birds (2012). Carrie Tiffany’s acclaimed second novel explores the hidden loves and traumas of post-war regional Australia in explicitly cross-species terms. Contemporary reviewers lauded the novel’s celebration of an authentic Australian farming life. Its animal representation, however, is not simply realism. Rather, it is a complex interrogation of animal as metaphor in human lives, and the consequences of that figurative displacement for both human and nonhuman material existence. I read the novel specifically through Carol J Adams’ the ‘absent referent’ alongside notions of an aesthetics of care, as envisioned by Josephine Donovan, to probe the limits and affordances of mutual and agentic interspecies engagements on the farm. | vi |
dc.format.extent | 16 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | Animal/s | vi |
dc.subject | Australian fiction | vi |
dc.title | Figures in farming: Carrie Tiffany’s mateship with birds (2012) and the sexual politics of animal figuration | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
Files in This Item: