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dc.contributor.authorClare Archer-Leanvi
dc.date.accessioned2024-03-20T02:48:14Z-
dc.date.available2024-03-20T02:48:14Z-
dc.date.issued2023-
dc.identifier.citationJournal of Language, Literature and Culture. - 2023. - Vol 63. - No 2. - p.99-114vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139525-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractThis paper presents new scholarship on the complex figuration of the animal in Australian fiction through the significantly under-analysed Mateship with Birds (2012). Carrie Tiffany’s acclaimed second novel explores the hidden loves and traumas of post-war regional Australia in explicitly cross-species terms. Contemporary reviewers lauded the novel’s celebration of an authentic Australian farming life. Its animal representation, however, is not simply realism. Rather, it is a complex interrogation of animal as metaphor in human lives, and the consequences of that figurative displacement for both human and nonhuman material existence. I read the novel specifically through Carol J Adams’ the ‘absent referent’ alongside notions of an aesthetics of care, as envisioned by Josephine Donovan, to probe the limits and affordances of mutual and agentic interspecies engagements on the farm.vi
dc.format.extent16 p.vi
dc.language.isoenvi
dc.publisherTaylor & Francisvi
dc.subjectAnimal/svi
dc.subjectAustralian fictionvi
dc.titleFigures in farming: Carrie Tiffany’s mateship with birds (2012) and the sexual politics of animal figurationvi
dc.typeArticlevi
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