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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Norman Simms | vi |
| dc.date.accessioned | 2024-03-26T06:55:57Z | - |
| dc.date.available | 2024-03-26T06:55:57Z | - |
| dc.date.issued | 1997 | - |
| dc.identifier.citation | Journal of the Australasian Universities Language and Literature Association. - 1997. - Volume 88. - No. 1. - p.83-95 | vi |
| dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/139584 | - |
| dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
| dc.description.abstract | The Lucky Chance: orAnAlderman's Bargain (1686)1 by Aphra Behn (ca. 1640-1688) seems superficially typical of late Restoration Comedy in which there is a display of various levels of wit and a contest between an intelligent woman seeking the one honest man whocanjoin her in asserting the primacy of unsentimental love amidst a world of fools and knaves. Behn's comedy, however, is not simply the generic vision of hedonism that mocked narrow-minded Calvinism and especially ridiculed pedantic schol-arship, tight-fisted commercialism and prudish domesticity. | vi |
| dc.format.extent | 13 p. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Taylor & Francis | vi |
| dc.subject | comedy | vi |
| dc.title | A dark cynical conceit: the masque in Aphra Behn’s the lucky chance | vi |
| dc.type | Article | vi |
| Appears in Collections | Bài trích | |
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