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dc.contributor.authorAxel Laursvi
dc.date.accessioned2024-04-01T02:29:27Z-
dc.date.available2024-04-01T02:29:27Z-
dc.date.issued2000-
dc.identifier.citationJournal of the Australasian Universities Language and Literature Association. - 2000. - Volume 94. - No. 1. - p.1-18vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139696-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractFamiliar landmarks in the criticism of E.T.A. Hoffmann's Das Fraulein von Scuderi include psychopathological or redemptive artist figures, philistinism and the regeneration of society, as well as issues pertaining to detective fiction. A much less well-beaten track leads in the direction of the socio-political and juridical implications of the story. Alone the subtitle, "Erzahlung aus dem Zeitalter Ludwig des Vierzehnten," vouches for an importance and intentionality beyond mere historical titillation. Just before commencing, Sylvester the narrator explicitly underscores the historical context: "Wir haben soeben an Voltaire gedacht, ihr moget daher, meine teuren Serapions-Briider, an sein Siecle de Louis XIV, an dies Zeitalter iiberhaupt selbst denken „.."vi
dc.format.extent18 p.vi
dc.language.isoenvi
dc.language.isodevi
dc.publisherTaylor & Francisvi
dc.subjectdetective fictionvi
dc.title“ … Noch einmal hinter die gardinen zu kucicen”: reflections on absolutism in E.T.A. Hoffmann’s das fräulein von scuderivi
dc.typeArticlevi
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