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dc.contributor.authorAdrian Andersonvi
dc.date.accessioned2024-04-01T09:50:00Z-
dc.date.available2024-04-01T09:50:00Z-
dc.date.issued2001-
dc.identifier.citationJournal of the Australasian Universities Language and Literature Association. - 2001. - Volume 95. - No. 1. - p.35-53vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/139708-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractWagner's opera, Der Ring des Nibelungen explores a cosmic drama that places human existence in a spiritual nexus. Its focus is the interaction between spiritual realities and human consciousness, rather than an exploration of the conflict between man's will and nature, as per Schopenhauer and Nietzsche. It is known that when writing the Ring, Wagner was reading the poetry of Hafiz on the theme of the free human being} These influences played a role in Wagner's own philosophical struggle; however, it is my contention that the Ring Cycle's primary meaning transcends Wagner's conscious intellectuality.vi
dc.format.extent19 p.vi
dc.language.isoenvi
dc.language.isodevi
dc.publisherTaylor & Francisvi
dc.subjectdramaticvi
dc.titleThe tragic crisis for Wotan in Wagner’s Der Ring des nibelungenvi
dc.typeArticlevi
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