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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Gillian Dooley | vi |
| dc.date.accessioned | 2024-07-23T04:05:41Z | - |
| dc.date.available | 2024-07-23T04:05:41Z | - |
| dc.date.issued | 2005 | - |
| dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/140104 | - |
| dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
| dc.description.abstract | The most obvious difference between nineteenth-century novels and twentieth-century novels is that the nineteenth-century ones are better. (Iris Murdoch, 1970) … the warmth, the compassion, the humanity, the love of people which illuminates the literature of the nineteenth century and which makes all these old novels a statement of faith in man himself … are qualities which I believe are lacking from literature now. (Doris Lessing, 1957) | vi |
| dc.format.extent | 15 p. | vi |
| dc.language.iso | en | vi |
| dc.publisher | Taylor & Francis | vi |
| dc.subject | Journal of the Australasian Universities Language and Literature Association. - 2005. - Volume 2005. - No. 104. - p.91-105 | vi |
| dc.title | The Post-War novel in Crisis: Three perspectives | vi |
| dc.type | Article | vi |
| Appears in Collections | Bài trích | |
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