Item Infomation
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Rutuja Deshmukh | vi |
dc.date.accessioned | 2024-07-24T02:26:20Z | - |
dc.date.available | 2024-07-24T02:26:20Z | - |
dc.date.issued | 2023 | - |
dc.identifier.citation | South Asian popular culture. – 2023. - vol. 21. - no. 1. – p.57-75 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/140139 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | Fandry (2013) is the first feature film written and directed by Nagraj Manjule. The film received a national award for the best debut director and several accolades in national and international film festivals. This paper offers introductory remarks on the representation of the de-notified tribe- Kaikadi in the film Fandry (2013). It starts with the observation about the social location of de-notified tribes and stigmatization around these communities and how Fandry as a film becomes a vehicle of resistance and formation of defiant identity. I also offer a critical reading of contemporary scholarship on Fandry, which overlooks the de-notified tribe identity and appropriates the struggle in the film with the larger Dalit struggle and caste issues. While the Dalit framework forms the background of the film, I argue that Manjule, through his film Fandry, is asserting personhood by bringing in lived experiences in his cinematic narrative. | vi |
dc.format.extent | 20 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | De-notified tribes | vi |
dc.title | Rebellion from Outside the Margins: Representation of de-notified tribe and Questions of Identity in Fandry (2013) | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
Files in This Item: