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dc.contributor.authorRutuja Deshmukhvi
dc.date.accessioned2024-07-24T02:26:20Z-
dc.date.available2024-07-24T02:26:20Z-
dc.date.issued2023-
dc.identifier.citationSouth Asian popular culture. – 2023. - vol. 21. - no. 1. – p.57-75vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/140139-
dc.descriptionTạp chí mua quyền truy cập TAYLOR & FRANCISvi
dc.description.abstractFandry (2013) is the first feature film written and directed by Nagraj Manjule. The film received a national award for the best debut director and several accolades in national and international film festivals. This paper offers introductory remarks on the representation of the de-notified tribe- Kaikadi in the film Fandry (2013). It starts with the observation about the social location of de-notified tribes and stigmatization around these communities and how Fandry as a film becomes a vehicle of resistance and formation of defiant identity. I also offer a critical reading of contemporary scholarship on Fandry, which overlooks the de-notified tribe identity and appropriates the struggle in the film with the larger Dalit struggle and caste issues. While the Dalit framework forms the background of the film, I argue that Manjule, through his film Fandry, is asserting personhood by bringing in lived experiences in his cinematic narrative.vi
dc.format.extent20 p.vi
dc.language.isoenvi
dc.publisherTaylor & Francisvi
dc.subjectDe-notified tribesvi
dc.titleRebellion from Outside the Margins: Representation of de-notified tribe and Questions of Identity in Fandry (2013)vi
dc.typeArticlevi
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