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dc.contributor.authorHossein Kermanivi
dc.date.accessioned2024-07-24T08:20:10Z-
dc.date.available2024-07-24T08:20:10Z-
dc.date.issued2020-
dc.identifier.citationAsian Journal of Communication. - 2020. - Vol.30, No.6, 431-449vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/140186-
dc.description.abstractThis paper investigates the narrativity practices on Persian Twitter. It explores how a narrative is produced on Twitter, identifies the popular narratives and investigates the connections between these popular narratives and the political and social narratives in Iran during non-political happenings. Using KhosraviNik’s model of critical discourse studies, it sampled a tweet corpus of 23,964 tweets, gathered in the first 24 h after the 2017 Kermanshah earthquake in Iran. Three different kinds of narratives were found on Persian Twitter: contained narratives, master narratives, and connective narratives. Although these narratives lack some features of a classic narrative, they generally have the essential elements of narrativity. The findings also confirmed that popular narratives mainly advocate anti-state views and opinions. In fact, users framed and narrated the crisis by applying preexistent and emergent political stories to them.vi
dc.language.isoenvi
dc.publisherSocial Communication Science, University of Tehran, Tehran, Iranvi
dc.subjectNarrative analysisvi
dc.subjectNarrativityvi
dc.subjectCritical discourse studiesvi
dc.subjectStorytellingvi
dc.subjectTwittervi
dc.subjectIranvi
dc.titlePolitical narrating in non-political crises: narrativity practices on Persian Twitter during the 2017 Kermanshah earthquakevi
dc.typeArticlevi
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