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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Hossein Kermani | vi |
dc.date.accessioned | 2024-07-24T08:20:10Z | - |
dc.date.available | 2024-07-24T08:20:10Z | - |
dc.date.issued | 2020 | - |
dc.identifier.citation | Asian Journal of Communication. - 2020. - Vol.30, No.6, 431-449 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/140186 | - |
dc.description.abstract | This paper investigates the narrativity practices on Persian Twitter. It explores how a narrative is produced on Twitter, identifies the popular narratives and investigates the connections between these popular narratives and the political and social narratives in Iran during non-political happenings. Using KhosraviNik’s model of critical discourse studies, it sampled a tweet corpus of 23,964 tweets, gathered in the first 24 h after the 2017 Kermanshah earthquake in Iran. Three different kinds of narratives were found on Persian Twitter: contained narratives, master narratives, and connective narratives. Although these narratives lack some features of a classic narrative, they generally have the essential elements of narrativity. The findings also confirmed that popular narratives mainly advocate anti-state views and opinions. In fact, users framed and narrated the crisis by applying preexistent and emergent political stories to them. | vi |
dc.language.iso | en | vi |
dc.publisher | Social Communication Science, University of Tehran, Tehran, Iran | vi |
dc.subject | Narrative analysis | vi |
dc.subject | Narrativity | vi |
dc.subject | Critical discourse studies | vi |
dc.subject | Storytelling | vi |
dc.subject | vi | |
dc.subject | Iran | vi |
dc.title | Political narrating in non-political crises: narrativity practices on Persian Twitter during the 2017 Kermanshah earthquake | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
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