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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Brian A. Horton | vi |
dc.date.accessioned | 2024-08-02T03:37:09Z | - |
dc.date.available | 2024-08-02T03:37:09Z | - |
dc.date.issued | 2023 | - |
dc.identifier.citation | South Asian Popular Culture. - 2023. - vol 21. - no. 2. - p.205-221 | vi |
dc.identifier.uri | http://elib.hcmussh.edu.vn/handle/HCMUSSH/140589 | - |
dc.description | Tạp chí mua quyền truy cập TAYLOR & FRANCIS | vi |
dc.description.abstract | With a particular focus on zines produced in Bombay from the 1990s to 2000s, this essay draws on and thinks with the masala that flavored the pages of three prominent Bombay queer zines: Bombay Dost, Scripts and Gaysi Zine. Through close readings of specific volumes, I demonstrate that zines constitute not only an overlooked archive of queer and trans cultures in India but have also been crucial to facilitating ‘queer sociality’ (Rodríguez 2011) between the sheets of the zine’s pages and in the worlds through which its copies might travel. I develop the concept of masala-with a queer accent (Khubchandani 2020)-to reflect its usage and meaning in queer spaces to reference sex, messiness, gossip and at times unruliness and nonresectable behavior. Extending its potential, I suggest that masala names not only a genre of content that is erotically charged or gossip-laden but is per-haps itself an analytic or technique by which queer subjects make political claims and forge community. | vi |
dc.format.extent | 18 p. | vi |
dc.language.iso | en | vi |
dc.publisher | Taylor & Francis | vi |
dc.subject | Queer zines | vi |
dc.subject | print cultures | vi |
dc.title | Between the sheets: The queer sociality of Bombay zines | vi |
dc.type | Article | vi |
Appears in Collections | Bài trích |
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