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dc.contributor.authorJiang Changvi
dc.contributor.authorHailong Renvi
dc.date.accessioned2024-08-23T01:40:48Z-
dc.date.available2024-08-23T01:40:48Z-
dc.date.issued2018-
dc.identifier.citationAsian Journal of Communication. - 2018. - Vol.28, No.1. - P.1 - 19vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/140814-
dc.description.abstractThis paper adopts the academic tool of discourse analysis to examine the ‘new visual turn’ of the Communist Party of China’s propaganda work since the 18th CPC National Congress when Xi Jinping was inaugurated as the leader of Chinese Communists. A thorough review of the new visual means the Party uses for photojournalism, TV news, animated cartoons and online promotional videos points to three developments markedly different from traditional discursive strategies: a full embrace of Confucian ethics, articulation of the Internet-based popular culture and subcultures, and an effort to fortify Xi’s personal authority as a political idol. The paper concludes that the ‘new visual turn’ of CPC propaganda after the 18th Party Congress suggests that the Communist discourse has evolved to a new stage where sophisticated manipulation of sleek technological tools substantiates a rigorous, dynamic CPC discursive system more at ease with itself and more powerful than ever in shaping the mainstream political culture in China.vi
dc.language.isoenvi
dc.publisherSchool of Journalism and Communication, Tsinghua University, Beijing, People’s Republic of Chinavi
dc.subjectPropagandavi
dc.subjectCPCvi
dc.subjectXi Jinpingvi
dc.subjectPeng Liyuanvi
dc.subjectVisualizationvi
dc.titleThe powerful image and the imagination of power: the ‘new visual turn’ of the CPC’s propaganda strategy since its 18th National Congress in 2012vi
dc.typeArticlevi
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