‘My music, my freedom(?): the troubled pursuit of musical and intellectual independence on the Internet in Indonesia’

Abstract

In Indonesia, the Internet has reshaped music industry praxis, particularly artist marketing and promotion. It is also a primary resource for artistic inspiration, providing musicians and producers with unprecedented access to recording artists worldwide. Finally, for the nation’s top musicians, the Internet can lead to national and even international recognition, by means independent of ^ and even superior to ^ the production, distribution, or promotional support Indonesia’s major record labels can provide. Answering Lysloff’s call that examinations of digital media should consider how and why they are meaningful,this qualitative analysis examines the Internet practices consultants believe have radically reshaped Indonesia’s national music industry and advanced its global impact. Particularly among the nation’s self-described non-mainstream or independent music professionals, the Internet has revolutionized professional and social communication. Furthermore, through online intellectual critique, individual contributors also debate artistic ideals, as well as broader social and political problems. The Internet, thus, circumscribes a network of musically and socially likeminded individuals who engage in thoughtful debate about the arts and society in a presumably safe and egalitarian environment. There are limits to the Internet’s equanimity and its users’ abilities to secure artistic and intellectual independence; however, spatial proximity to the music industry’s epicenter in Jakarta, rhetorical dexterity in Internet correspondence, and Internet legislation all pose particular challenges to the democratization of Indonesia’s independent music industry network and the professional and social relationships that happen through its channels.