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dc.contributor.authorClaire Shinhea Lee & Ji Hoon Parkvi
dc.date.accessioned2025-02-28T01:40:57Z-
dc.date.available2025-02-28T01:40:57Z-
dc.date.issued2012-
dc.identifier.citationAsian Journal of Communication. - 2012. - Vol.22, No.4. - P.353 - 371vi
dc.identifier.urihttp://elib.hcmussh.edu.vn/handle/HCMUSSH/141628-
dc.description.abstractThis study investigates the ideological implications of Nambowon (‘the Committee for Men’s Rights’), one of the most popular sketches in a live comedy series entitled Gag Concert in Korea. The sketch humorously criticizes women who take advantage of men in various situations and always ends with a funny slogan demanding equal rights for men and the end of reverse gender discrimination. We treat Nambowon not as an idiosyncratic text but as part of Korean television programs that portray the rising social status of women as well as gender differences. Previous studies of gender and comedy have typically focused on textual meanings, and relatively little work exists to explain the audience’s reception. Thus, we explore why audiences enjoy the show and whether and why there are differences in the reactions of male and female viewers to the portrayal of gender in Nambowon.vi
dc.language.isoenvi
dc.publisherDepartment of Radio-Television-Film, University of Texas at Austin, Austin, USAvi
dc.subjectGendervi
dc.subjectHumorvi
dc.subjectComedyvi
dc.subjectPostfeminismvi
dc.subjectReverse gender discriminationvi
dc.title'We need a committee for men's rights’: reactions of male and female viewers to reverse gender discrimination in Korean comedyvi
dc.typeArticlevi
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