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Results 1091-1100 of 69108 (Search time: 0.013 seconds).
  • Article


  • Authors: Isabelle Vanderschelden (2000)

  • Acknowledged as a leading advertising director in the 1980s, Etienne Chatiliez has staged French families successfully, first in TV commer-cials, then in comic films.' His work exemplifies the way in which the theme of the family has regained popularity in French cinema over the last two decades, after relative neglect by New Wave directors and virtual absence from the "cinema du look" films in the 1980s.2 In his three feature films to date, La Vie est un long fleuve tranquille (1987), Tatie Danielle (1990) and Le Bonheur est dans le pre (1995), Chatiliez offers contrasting portraits of French families—bourgeois and poor, Parisian and provincial, industrial and rural, and also explores the effects of changing social environments and identities on family relations.

  • Article


  • Authors: Yvonne Holbeche (2000)

  • In their novels Fabian (1931) and Goodbye to Berlin (1939), two writers from different European cultures, Erich Mstner and Christopher Isherwood, present fictional models of the Berlin of the final years of the Weimar Republic and, in Isherwood's case, the beginning of the Nazi era as wel1. 1 The insider Kastner—the Dresden-born, left-liberal intellectual who, before the publication ofFabian, had made his name as the author not only of a highly successful children's novel but also of acute satiric verse—had a keen insight into the symptoms of the collapse of the republic.

  • Article


  • Authors: Edgar W. Conrad (2000)

  • The five books reviewed in this article have all been published by Sheffield Academic Press. This Press has played a major role during the last quarter of the twentieth century by providing a forum for biblical studies (particularly in the study of the Old Testament) that situates it in the critical and theoretical discussions now typifying the Humanities and Social Sciences more widely. The so-called historical-critical approach to the study of the Bible, which prevailed for most of the twentieth century and still prevails in many circles, has been taken up and promulgated by theological institutions (seminaries and theologische seminars).

  • Article


  • Authors: Dominic Stefanson (2001)

  • In a chaotic and inflllite universe 'that he cannot explain, the Homeric hero seeks meaning and self-justification in nature. The troths that nature reveals to him are the instinctive "aesthetic troths" that Nietzsche famously saw as the core of "the Dionysian spirit." Homeric man reacts instinctively to nature because he sees himself as a part of it, "on a par with other objects, [he] had no consciousness of himself as a being with causal efficacy within a world of objects."l Powerless to dominate the world he lives in, Homeric man reacts passionately and emotionally to stimuli.

  • Article


  • Authors: Trần Thị Thu Hà (2023-09)

  • Tập trung dân chủ là một nguyên tắc cơ bản trong năm nguyên tắc về tổ chức và hoạt động của Đảng; là nguyên tắc cần bàn chi phối các nguyên tắc khác. Trong bối cảnh hiện nay, để thực hiện mục tiêu xây dựng Đảng là tăng cường xây dựng Đảng về chính trị, coi trọng xây dựng Đảng về tư tưởng, tập trung xây dựng Đảng về đạo đức, nhất thiết phải giữ vững và tuân thủ nguyên tắc này. Bài viết tìm hiểu tình hình thực hiện nguyên tắc tập trung dân chù trong Đảng hiện nay, qua đó đề xuất một số giải pháp nhằm nâng cao hiệu quả của công tác này trong thời gian tới.

  • Article


  • Authors: Phạm Tú Tài; Trần Thanh Tùng (2023-09)

  • Bối cảnh an ninh, chính trị thế giới đang vận động theo các chiều hướng khác nhau và có ảnh hưởng đến tình hình phát triển kinh tế các nước. Bài viết tập trung phân tích tác động của bối cảnh này đến kinh tế Việt Nam trên các khía cạnh tăng trưởng kinh tế, thương mại và đầu tư. Trên cơ sở đó đề xuất một số khuyến nghị chính sách nhằm thúc đẩy phát triển kinh tế nước ta thích ứng với sự biến động quốc tế đó trong giai đoạn tới.

  • Article


  • Authors: Anna Nygren (2023)

  • Virginia Woolf’s words about the need of five thousand a year and rooms of our own (yes, I deliberately choose to keep the exact formulation of ‘our own’ in the passage quoted in the introduction, since the shift into ‘one’s own’ indicate an individualisation, separate from the collective of women which Woolf’s our points, that is in many ways relevant but also hides part of the feminist collective struggle and possibilities), are not only famous but have become much more – vulgarised and almost biblical, metaphorisised until absurdity yet still physically relevant and materially exact. This volume takes the quote from Woolf and expands it into a series of essays, which all have a physical space as a starting point but draws on to a much broader understanding of space; this double, ...