ArticleAuthors: Andrew N. Weintraub (2006)
This essay is an ideological critique of popular print media about dangdut, a genre of Indonesian popular music. The audience for dangdut has been imagined, represented, and mobilized in various ways to support the ideological interests of commercial, government, and critical institutions. In popular print publications, representations of dangdut as the music of ‘the people’ (rakyat)*the majority of society*have been produced with great frequency and in a variety of popular print media. I describe the ways in which popular print media ‘speaks for’ people, and the relations of power that define those discourses. Using an historical approach, I construct an interpretation of these representational practices, taking into account shifts in the social meaning and function of dangdut’s au...